"Contemporary composers reflect on the work of those who came before them as they push the string quartet medium towards the future." The dramatic setting for this two-part program is Shapiro's large-scale geometric sculptures that suspend from the ceiling and extend from the walls and floors of his studio in Long Island City, Queens. The phrase "what's past is prologue," from Shakespeare's The Tempest, "has become a modern shorthand for the notion that history set the context for the present," says Aizuri cellist Karen Ouzounian. The GRAMMY Award-winning string ensemble performs What's Past is Prologue, two digital concerts of music by female composers spanning the past millennia, filmed March 2021 at the studio of renowned sculptor Joel Shapiro. "Elegant, inquisitive" - The New Yorker on Aizuri Quartet Landrover (1972) by Merce Cunningham (c) Merce Cunningham Trust.Ĭredits – World Premiere Choreographed by Liz GerringĬredits – World Premiere Choreographed by Kyle Abrahamĭancers: Claude “CJ” Johnson and Donovan Reedįilmed by Tatyana Tenenbaum at Baryshnikov Arts Center The program is introduced by Merce Cunningham Trust trustee Patricia Lent and includes interviews with Kyle Abraham and Liz Gerring.Ĭostumes: After the original design by Jasper JohnsĬostume Reconstruction: Reid Bartelme & Harriet Jungĭancers: Jacquelin Harris and Chalvar Monteiro American perhaps in the sense that we move in our country – across varied spaces – with varied backgrounds.” The Landrover excerpts, performed by Alvin Ailey American Dance Theater members Chalvar Monteiro and Jacquelin Harris, and the new works by Abraham and Gerring, performed by members of their companies, were filmed August 2021 in the John Cage & Merce Cunningham Studio. According to Cunningham, Landrover – a large-scale ensemble piece created at his Westbeth studio in Manhattan – was inspired by “people moving in different landscapes.
In Conversation with Merce is a filmed presentation featuring an arrangement of solos and duets from Merce Cunningham’s Landrover, and two world premieres by choreographers Kyle Abraham and Liz Gerring created in response to the 1972 work. Pigulim was developed, in part, during a BAC Residency.Įlla Rothschild’s presentation at BAC is supported by the Consulate General of Israel in New York.
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Performers: Ariel Freedman, Adi Zlatin, and Keren Luria PardesĪlso featuring dancers of the Maslool Professional Dance Program: Noga Eliezer, Gilly Geva, Noa Gronich, Romy Duvdevani, Shani Zargari, Noam Hayoun, Noa Toledano, Omer Tichauer, Adam Ishay Eldar, Roni Morhalachmi, Lal’el Pillora, Yahav Sabag, Tal Cohenĭirectors of Maslool Professional Dance Program: Naomi Perlov, Offir Daganįilm Producer and Director: Jonathan Mordechay Characters struggling with loneliness and the search for happiness gather around a table, using the familiar ceremony of a shared meal to explore banality and fantasy, fear and desire. In Israeli choreographer Ella Rothschild’s filmed dance-theater work, Pigulim, a cultural narrative unfolds around themes of materialism and mortality.
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